ZeroOne San Jose
ZeroOne San Jose is a swirling
constellation of events that included several self-styled summits, a
variety of public art, performances, lectures, and exhibitions
associated with the 13th biannual meeting of ISEA, Inter-Society for
the Electronic Arts. It began August 4 and ends August 13.
As an outsider I became involved in 2005 after talking with Joel
Slayton, the Chair for ZeroOne and the ISEA2006 Symposium. He was
planning one of the satellite events, the Pacific Rim New Media Summit,
and I agreed to pull together a working group on "piracy in the
Pacific" to look at trends, conflicts, and issues related to
intellectual property (IP), piracy, sharing, and appropriation. (poster
at left)
Gordon Knox, the director at Montalvo Arts Center convened a summit
on intellectual property at the center a few miles from San Jose, and
invited me to participate August 4th and 5th. Other participants
included a film maker, an administrator from Arts Council England,
several anthropologists, an industrial designer, two lawyers, a
journal editor and scientist, and a media researcher. The artists were
busy preparing for ISEA and did not attend. The discussions revolved
around the best way for an artist to collaborate and work inside a
research lab or high tech company environment for a limited period of
time. Knox wanted to establish a 'safe place' in terms of IP where the
artist would feel free to experiment. James Leach, an anthropologist
from Cambridge felt strongly that existing IP regimes were based on
narrow views of ownership and collaboration and that we should be
looking at other kinds of relationships. The lawyers explained how the
laws for IP had expanded, and many felt this inhibited activities and
the spread of knowledge. On Monday the group met at Santa Clara
University where the movie on piracy was shown, and there was a public
forum.
This conflicted with the Pacific Rim New Media Summit which was held
at King Library, the unique joint university-public library in downtown
San Jose. Slayton's staff and students provided good logistical support
before and during the meeting which occupied two full days of
presentations and discussions. The summit was meant to encourage
international cooperation and collaboration in a number of areas. The
working groups included these topics:
-Distributed curatorial
-Education
-Urbanity and mobile media
-Place, ground, and practice
-Latin America-Pacific/Asia New Media Initiatives
-Residencies and symposia
-Piracy and the Pacific
-Invisible dynamics of the Pacific rim & bay area
Leading up to the summit there was an online forum which was never used
by more than a few of the many members. Each working group was somewhat
fluid, and the chair changed in a couple, and many members did not
attend for different reasons: other commitments, lack of money, or visa
problems. At ISEA Trebor Scholz whose institute focuses on "cooperation
studies", gave a paper about social networks and why people take part
online. Though he was part of a working group in our summit he did not
attend.
Danny Butt (Place, Ground, and practice) was the chair and
only attendee from his group, and though he claimed he had failed, he
presented a good summary of their activities leading up to the summit,
including a significant and intimate gathering in New Zealand which
could not be duplicated in this venue. (photo: Danny at the podium)
One chair thought he was coming to work together for two days mainly
with his group, and like me, he met them for the first time shortly
before they were due to present. My own group did not work that much
together before, but they all helped me a great deal as I was preparing
a short video "Piracy in the Pacific" for a DVD project Leonardo had
hoped to publish. Once we met the afternoon before the presentation we
were able to find some common disagreements to discuss during the
summit. Piracy and copyright is very, very contentious, and I
assembled a CD-ROM of videos, rants, white papers, books, and
proceedings that covered a spectrum of views from anarchist to
Hollywood and law enforcement. We handed this out to everyone present
(about 45).
The organizers suggested we might want to have statements to take to
ISEA, or perhaps a manifesto, but this did not seem to happen. I think
there were some good connections made, and some working groups planned
to carry on with other projects. I wondered what the summit would have
been if it were the main focus in San Jose rather than the much larger
ISEA meetings and exhibitions.
The always reclusive and secretive Raqs Media Collective flew in from
an undisclosed location and arrived on the second day in order to
comment and provoke us with interesting questions which needed a third
day for discussion. They used metaphors of sea voyage, dead reckoning,
and maritime language. A rare photo is at the left, but their faces are
pixellated in order to protect their valued anonymity. They were last
seen a couple of days later entering a black stretch limo outside the
exhibit hall.
Next: ISEA 2006
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